If you’re like me, hearing that Martha Wells’ beloved Murderbot Diaries were going to be adapted into a TV show triggered both desire and dread. The books are hugely important to a lot of people, especially fans like me who are neurodivergent, on the nonbinary spectrum, or on the asexual or aromantic spectrums. So how did Apple TV+ do with the first two episodes? Is the show a brilliant success or utter failure?
Well, I for one really enjoyed it, but what does a professional reviewer think?
I mean, they don't let anything distract them from the purity of sci-fi and fantasy, do they? They haven't been taken over by the relentless march of the progressives, have they? Let's see, eh, Reader?
I want to preface this by saying these episodic reviews won’t be a side-by-side comparison with the book, All Systems Red. My reviews of the TV show will try to examine it as its own thing, with some contextual analysis around the translation from text to screen.
I think what follows doesn't really meet the definition of 'contextual analysis', but is more of a 'how many times can I shoehorn progressive gender tropes into this article' ...
When Gurathin forces Murderbot to make eye contact, the easy script choice would be to have Murderbot glare him down and intimidate him into backing off. But that misses this great little moment of character development. We see Murderbot’s, well, humanity. I think every neurodivergent person who struggles with eye contact has had an experience similar to what Gurathin put Murderbot through. You’re trying to make eye contact even though it makes you uncomfortable because someone else is forcing you to “be normal” so you end up counting how many seconds you hold eye contact and where else you can look where it seems like eye contact even though it’s not and when to look away then back and you’re running all these metrics and negotiations while trying to hold onto the thread of the conversation and also planning out how you’re going to reply and anticipating responses to half a dozen other possible paths the conversation might take and by the end of it you’re so fucking exhausted and stressed that you want to go hide in a dark, quiet corner somewhere to decompress.
Wait, there's more!
Furthermore, Gurathin accusing Murderbot of being “wrong” gave me the same vibes as the experience of how every now and again how your masking slips and you misjudge a social situation or misinterpret an interaction and suddenly everyone else can see you’re not like them. I used to get that on three fronts, back before I had realized my identities: trying to act like a cis woman (I’m genderqueer), trying to act het (I’m asexual and aromantic), and trying to act neurotypical (I’m neurodivergent). You know deep down that you’re different but because you don’t have the vocabulary for it you think you’re broken.
A reviewer confessing they 'lack vocabulary' should be a red flag to an editor, but of course, there are no editors here.
Okay, now for the elephant in the room: gender. Ratthi calls SecUnit a “handsome fella” and “buddy” in a way that sounds masculine-coded to me. Arada uses “he” and is quickly corrected by Gurathin. However, Gugu uses “it” almost like a slur, got that hard “T” at the end. Everyone else says “it” like they do any other pronouns. I keep changing my mind on how Murderbot’s lack of gender is handled. On one hand, I think the scene where Murderbot is interrogated by PresAux about the missing map sections is overt in a way that’s designed to help cis people get comfortable with nonbinary/agender identities, yet in doing so ends up othering and misgendering Murderbot. On the other hand, the way each character processes Murderbot’s gender identity is subtle in an intriguing way and tells me, a genderqueer person who uses they/them, a lot about their personalities.
Rather like this review tells me a lot about the reviewer's hang-ups, and not so much about the show?
This push-pull also popped up for me in how we are repeatedly shown that Murderbot has no genitalia. It feels both invasive and hand-holding. It literally exposes Murderbot—and it has no choice in the matter because the repair cubicle offers it no privacy, although at least Mensah has the decency to look embarrassed after she goggles at it—which, in an era when some cis people are demanding to see trans and nonbinary people’s body parts before we can use a public bathroom or play sports, doesn’t feel great… but I also think that’s kind of the point. Murderbot feels safest in its armor and helmet and here’s Mensah seeing every inch of it and not able to hide her reaction. Yet it also forces cis audience members to reckon with that invasiveness while also reminding them that Murderbot does not have a gender, no matter what you think about its appearance.
I can't say that was something that crossed my mind as I watched a sci-fi tv show about a robot, but you do you...
As an asexual who doesn’t really get “hot” and genderqueer person, I find this all both confusing and creepy. Why are y’all so obsessed with people’s genitals? It’s weird. Calm down.
We're obsessed? I'm reminded of the punchline to that story about the psychiatrist performing a Rorschach Test: 'Hey, you're the one showing me all the dirty pictures!'