…do the police feel a need to act over
other forms of ‘music’? Are they going to swoop on Glyndebourne or the Royal Opera House, or a country & western event?
If
not, perhaps you should ask yourself why.
When Michael Hann from the Guardian contacted the Barbican, he was referred to the City of London police; in turn the police stated, "The Barbican is the venue … it's down to them."
On its website, the Barbican has announced that all other events taking place as part of the Barbican Weekender will take place as planned.
Given this sequence of events, how are grime fans supposed to believe that the police are not scapegoating them?
It’s not
just the police, though, is it?
And when a broad spectrum of people all agree, what does
that tell you?
… the police cannot keep holding everybody connected to the grime scene to ransom because of its past, especially when so many hardworking, ambitious people have shown how positive grime can be.
I note you don't give an example...
This situation is an example of the tensions in which the more aggressive side of grime music is wrought: the tensions are not just fantasy, they are real. Any references to crime and underground cultures should be understood as part of a coded power dynamic between sound-system culture and the authorities…
Well, then, they should be
happy that The Man is clamping down on them, since it gives them something to write tuneless little ditties about…