The Key Word Here Is 'Fiction'

Nine of the 10 bestselling fiction paperbacks in the UK this week have one thing in common: a woman is murdered.

So? The big seller is crime novels, someone has to be murdered. I don't want to read a novel about bank fraud, my maths isn't up to it!

While the titles range from historical fiction to domestic noir and police procedurals, each centres on the death of at least one female character.

The key word there being 'fiction', of course, and literature is hardly the main culprit here, movies, tv shoes and even computer games also feature murders of women. 

Only The Correspondent, a novel about the art of letter writing, breaks the pattern.

Wow, that must be a rivetting read! 

The trend was highlighted on Instagram by the author Wendy Jones, who wrote: “So 84% [sic] of the books people bought and read in the UK this week involved a woman being murdered for entertainment. What is going on here?”

But why does commercial fiction keep returning to the same story? Critics argue that repeatedly turning women into victims risks normalising violence against them. Yet the genre’s paradox is that women are also its biggest consumers, with some arguing its appeal may be a way of processing real-world fears.

Longrider weighs in on this 'paradox' too. 

The crime writer Mel McGrath wrote that the genre has, in some ways, moved on from the time of male authors such as Raymond Chandler and Mickey Spillane killing off women chiefly so the men investigating their deaths could be heroes. “Reading crime fiction written by women remains a powerfully feminist act,” she said. The crime writer and critic Laura Wilson explained that domestic noir is popular at the moment because it reflects “some very real fears”.

No, it's mostly that mystery is the hook here, not the act of murder. 

The novelist Denise Mina traced the appetite back to the broadsheet sellers of 18th-century London, who found that manufactured crimes sold copies so long as the victim fitted a particular profile.

A traditional crime novel, Rader-Day said, wraps up in under 400 pages with the mystery solved and order restored, “not at all like what actual death is like”, which is precisely why it’s so comforting. She said both craft and culture explained why the victim is so often a woman.“Most readers, most consumers, are women too, so if a writer wants to showcase anyone’s anxieties, a woman’s is a good choice – the anxiety that they themselves could become a victim,” she said.

That would imply that horror is popular because people can imagine themselves summoning demons, wouldn't it? And what about sci-fi? 

Niche Interests

“We left Warrington at 5.15am this morning to get here,” Emma tells me, standing in a queue that stretches down Walton Street. It is just after 9am on a Saturday in Oxford, the students are still in bed and the tourists have yet to descend on the city, but this corner of Jericho is already buzzing.

It’s a queue for a new bookshop. That’s a good thing right? 

Oxford is rarely short of literary pilgrims. Every year, visitors flock to the colleges and libraries that shaped writers including JRR Tolkien, CS Lewis and Iris Murdoch. But this crowd is here for something a little different. Instead of queueing for the Bodleian, they’re swapping recommendations for dragon riders and faerie kingdoms.  

Oh dear. 

The bright pink doors they’re waiting outside belong to Bad Girl Books, the UK’s first romantasy bookshop. The subgenre, blending fantasy and romance, has gone from niche online obsession to one of publishing’s biggest commercial success stories.

Yes my Kindle offers are usually stuffed with these, poorly written barely illiterate smut, but dragons are popular now so slapping a dragon on everything ensures it sells. 

Readers are immersing themselves in sprawling fantasy worlds of “enemies-to-lovers” storylines, where “fated mates” discover they were destined for each other all along, and brooding “shadow daddies” – dark, morally ambiguous male protagonists with supernatural powers – inspire devoted online fandoms.

Well, I have a taste for Laurel K Hamilton myself, but that tends to be rather better written than most of these. But at least it’s getting people reading.

“Last year I read about 100 romantasy books, and I’ve already read 60 this year,” says 22-year-old Izzy, who has been waiting in the queue with her friend since 7.30am. “I used to hate reading when I was in school, but then I discovered romantasy, and realised that there is a whole world of books out there that I really enjoy. It’s an escape from reality.”

And that's got to be a good thing, right? 

Inside, shelves are divided into categories including “Monster Smut”, “Unhinged” and “LGBTQ+”. T-shirts and caps proclaim “I Heart Fictional Men” and “Dibs on the Villain”; tote bags read: “I Like My Books Like I Like My Margaritas – Spicy”, and “My Favourite Colour Is Morally Grey.”

Oh, well, maybe not!